Anne La Berge’s passion for the extremes in both composed and improvised music has led her to storytelling and sound art as her sources of musical inspiration. Her music gathers the elements on which her reputation is based: ferocious and far-reaching virtuosity, microtonal textures and melodies, and her unique array of percussive flute techniques, all combined with interactive electronic processing and text.
La Berge is a precursor of some of the important things contemporary composition has now come to mean. The Wire
She performs regularly as a soloist, with the ensemble MAZE and in the longstanding duo Shackle. She is a founding artist of Splendor Amsterdam, a collective of musicians who have transformed an old bathhouse in Amsterdam into a cultural mecca, where she regularly produces and shares small scale concerts with international guests.
In 1999, together Steve Heather and Cor Fuhler, she founded Kraakgeluiden, a improvisation series based in Amsterdam, exploring combinations of acoustic and electronic instruments using real-time interactive performance systems. Many of the resulting musical collaborations have have taken on a life beyond the Kraakgeluiden series, which ceased in 2006. La Berge’s own music has evolved in parallel, and the flute has become only one element in a sound world that includes computer samples, the use of spoken text and electronic processing.
The miracle of her sound technique is supported by, among other things, different lip-positions, attacks, ways of breathing, distance from the microphone – everything has been foreseen and elaborated. . . Her textures are often two-voiced. It is all so complicated that it defies description and yet it sounds very natural, like a bird’s song. Muusika, Tallin
She works regularly as an improvisation and live electronics coach worldwide in the context of residencies and private coaching.
She can be heard on the Largo, Artifact, Etcetera, Hat Art, Frog Peak, Einstein, X-OR, Unsounds, Canal Street, Rambo, esc.rec., Intackt and Data labels which include recordings with Ensemble Modern, United Noise Toys, Fonville/La Berge, Rasp/Hasp, Bievre/La Berge, Apricot My Lady, Big Zoom, Corkestra, La Berge/Williamson and MAZE.
Her music is published by Frog Peak Music, Donemus and many of her Max patch based compositions are available as Apps from her privately. She is the Managing Director of the Volsap Foundation that produces innovative music projects.
A complete Curriculum Vitae can be viewed and downloaded here.