Spent the weekend of 25 – 28 September in Lübeck, Germany attending the Kyma International Sound Symposium and witnessed some incredibly diverse and inventive music and lectures about how and why the artists do it the way they do.
Scott Miller and I have been working remotely all summer putting together a A Lovely Gesture for the students to perform. They dared to improvise with live processing and an interactive voting system right off the bat. Nice.
I spent the month of August composing, practicing, walking and hanging out with artists from every discipline but music at the Headlands Center for the Arts in Sausalito, CA.
I made major headway on a couple of pieces, found a deeper love for the Kyma System, took runs going uphill and down and met other artists whose work will resonate with me for a long time.
This was my studio. Enormous thanks to Joe Metzler for lending me the Tannoys.
This was the view from my studio. Most days were overcast with fog. Ideal conditions for sitting in a room.
This view was a short walk up the hill.
is a new series of irregular improvisation concerts presented by VOLSAP in Splendor
The first one featured Zebra:
Yedo Gibson, saxophones
Ada Rave, saxophones
Anne La Berge, flutes
with special guest from Vancouver:
Lisa Cay Miller, piano
and virtuoso Amsterdam musicians:
Ig Henneman, viola
Wilbert de Joode, doublebass
Nora Mulder, piano
Jasper Stadhouders, guitars
The family concert!
We sang songs, played David’s piece for violin and piccolo,
premiered a series of text works by David
and won the hearts of our faithful Splendor audience.
David Dramm Splendor Members concert
with Diamanda Dramm and me at Splendor Amsterdam
Laboratoire Artistique Sans Limite, meaning ‘shorter and shorter nights’ was an initiative of
music, dance and word concerts by Ig Henneman and Ab Baars. I was one of the guests for the third and final night that was indeed very short. We were a diverse and creative fivesome. And to get to know more of Jos Kley’s work was a treat for me!
Playing premieres is one of my all time favorite things to do. This time the composers Michael Edwards and Hugo Morales came from afar to work on the pieces in Splendor a few days before the concert. A few major and minor changes were made and we launched the new music into the world.
hyperboles are the worst thing ever (aka Epimenides would have been gutted)
musician-tweaked algorithmic piece for flute and computer
Modes of Mechanical Ventilation for intubated flute and electronics
Anne La Berge
Black Veined White (2005) for speaker and loudspeaker
Diferenciales for one scrubbed metal rod
Diego Espinosa percussion
The program text for the upcoming Poetic Pioneers concert in Splendor on Sunday 15 June 2014 is available online:
View the text here.
(Easy format for smartphones.)
Download PDF here:
This is the e-flyer:
MAZE played at the AngelicA festival on May 29th in Bologna. The concert included a premiere of Yannis Kyriakides’ oneirocriticon, works by Alvin Lucier, Robert Ashley and me. We played a new version of RAW for ensemble and Max patch. I used iPads and MIRA for the visual cueing. Very excited about using it in for future works.
The review of RAW likened the performance to Evan Parker, Maarten Altena, Derek Bailey, Paul Lytton, Anthony Braxton, Leo Smith. Not such a bad club to be included in.
Shackle gave a Converging Objects workshop 9 and 10 May with a concluding concert on the last evening. We improvised, we laughed, we discussed, we drank local beer and made some incredible music together.
Shackle gave a workshop and concert at UCSD on 16 April. Robert headed home, I flew off to see family and friends. UCSD has changed a lot since I as a student. They really know how make visitors feel welcome and they’ve got an incredible space filled with Meyer speakers!